Where to listen to jazz in Dublin

Two excellent places are JJ Smyths and Sweeney’s, but they are the most known ones, and there are many more that are also interesting. Here’s a few which I know first-hand:

  • Weekly Sunday jazz brunch with Stella Bass – starts every Sunday at 2pm. Vocals, piano, double bass and drums. Mainstream jazz, they take requests, but they won’t play Led Zeppelin (a friend tried). You’ll have more luck asking for an Ella Fitzgerald, Nina Simone or Roberta Flack song. The venue has superb acoustics.
  • Louis Stewart plays first Wednesday of the month in The House restaurant in Howth. It’s a guitar + double bass duo, sometimes joined by a sax player. It’s the best jazz guitar I heard in Ireland.
  • The Essential Big Band – I saw them when they played in Bleu Note on Capel Street (photo). These days they play in the Grainger’s pub on Malahide road on Mondays.
  • Monday Jazz jam session in The Grand Social – starts at 9pm, runs until midnight. It’s an open stage jam, so anything can happen. Acoustics are so-so.
  • Hot House Big Band plays in Bad Bob’s in Temple Bar, admission €5

There’s a jazz night in the Bello Bar on Sundays, but I haven’t been there yet.

There’s also the Bray Jazz Festival 2014 coming up on the bank holiday weekend in May.

UPDATE 2016-08-16: Mercantile is in Bad Bob’s now, Sweeney’s closed, and the jam session is on Mondays.

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Choir with bass and drums, can it work?

I was wondering why some choirs, when touring with two-piece band, go for piano+drums, as opposed to bass+drums. Piano can play bass notes, but the piano+drums setup leaves the overall sound not as full as a dedicated bass instrument.

Any choir, when singing á capella, will drop in pitch over the course of a song. Even the brilliant Perpetuum Jazzile . Try playing along to e.g. Mas Que Nada, and you’ll see that they drop at least a semitone. It’s a gradual process over a few minutes, rather hard to spot by an unguided ear.

When there’s a piano or guitar playing with the choir, it’ll help the choir hold the pitch. I thought that bass guitar would do that as well. It sounded so good as an idea: you can have a piano trio or a guitar trio, with one main harmonic instrument and a rhythm section. Choir is a type of a harmonic instrument, so all it needs is a rhythm section! Therefore, bass+drums+choir should work great.

It turns out, this combination doesn’t work out. The bass guitar does not in practice help the choir hold the pitch. One explanation could be that it’s generally hard to hear the pitch of low notes. I tried to play higher notes, but it still didn’t help. The idea of a choir with a rhythm section doesn’t work.

UPDATE 2012-07-24: I got a good effect by playing chords in some parts of the song (somewhere up the neck) and bass notes elsewhere. For instance, I’d play chords in the verse, and bass notes in the chorus. It was effective.

Fateful rehearsal

Can small events influence our lives at large?

In spring 2000, my band was consisting of professional level musicians. It had two vocals, brass section and a base quartet: drums, bass, piano and guitar. Jobs were quite difficult to find, but the band played a gig every now and then. Not enough for the band to live, but too much to die. Considering the size of the band and relatively unpopular music genre — acid jazz — it’s no wonder that gigs were difficult to get.

I was continuously working on the arrangements. Since the band had a brass section (trumpet and trombone, sometimes also a sax), I was adding brass section parts to every song. It felt great to work on it and hear the songs boosted by the brass section.

The band played mostly covers, just to have something to play on the gigs. I was working on the originals in meantime. We already had five originals (our own songs) and getting new ones was a priority.

This is where a `single event’ comes up. We had a gig in a club, with a rehearsal in the morning, as usual. I have just printed all the parts for a new song and was very excited about rehearsing the best song I ever wrote. We tried some songs as a warm-up and everything was fine. I gave everybody their parts of the new song. Musicians studied the sheets for a while, nodded that they’re ready. I slowly counted in, the band started playing. Intro. First verse. Suddenly, something went wrong: one person missed a beat, or other one hit a wrong note. Whatever it was, the music stopped. It’s normal on the rehearsals and I was just about to count in again as usual, when somebody said that they don’t want to rehearse anymore. `Me too’, answered somebody else. I really wanted to rehearse this song, but it was no use to push. The rehearsal ended and we played the gig.

Excitement turned into frustration. The band never rehearsed this song again. I stopped writing brass sections and composing originals. The band got some more gigs, but I had no motivation anymore. Wanting to get some rest from the band, I bought a book about programming and spent my vacation reading it. I ended up in a information technology highschool and my music career ended.

Was really the unfortunate rehearsal the beginning of the end of my band? Or would the band collapse anyway? It seems like a stupid question, unless I realize that it changed my life completely.

snd_intel8x0 doesn’t block anymore

Since upgrade to Ubuntu 6.06 (Dapper Drake) on my Amilo Pro V2000D, the sound doesn’t block anymore. It’s nice that all the applications can use the sound at the same time, even after switching the user — the other session is able to use the sound as well.

There is one thing that got worse after the upgrade: the sound skips sometimes. While listening to the musisc, it sometimes suddenly skips few seconds of the music. This is annoying, because then the music misses the beat and it’s destroying the pleasure of listening.

I noticed that it always (I think…) happens in the same moment: about 3 minutes 40 seconds of the song.

UPDATE: I think it’s more like 3:38. And it’s not ALSA, it Rhythmbox 0.9.5 that does that.

Barumba and Stone Cold Heart

I just found out that my favorite band Incognito used the same drum loop for two songs:

  • “Barumba” from “100 And Rising”
  • “Stone Cold Heart” from “Who Needs Love”

I listened to Barumba for many years now and I love it. However, the newer (2002) song “Stone Cold Heart” fits very well with the loop, and I appreciate the perfection of Incognito’s arrangements, sound and mixing.

Summertime

I don't compose or arrange music anymore, but I still have a dream of creating a professional recording of my version of Summertime. The idea came as an inspiration from The Brand New Heavies' Sometimes. There are hundreds of Summertime versions already, but I believe that this one deserves a professional recording. I have a prototype, which was being recorded from 1998 to 2001. At that time, I struggled to record it on an overclocked Celeron 300. The drums were recorded with four microphones, two of them so bad that they could catch frequencies no wider than 300Hz – 8kHz.

The last time I worked with this arrangement was in 2001. If it's 2006 and I still can't get it out of my mind, it means I need to do something about it.